Spaceship Earth

I have a long history with Buckminster Fuller (“Bucky”) which I should probably write a blog post about. Learning that he taught at Black Mountain College has brought me full circle and I’ve started reading this book which I bought at a library sale. It’s been on my shelf for years.

Here are some favorite bits from the first chapter.

This is probably more true now than when he wrote this in 1969. We are stuck with so many outdated systems and the process of updating them seems painfully slow.

This first sentence:

My new project, the one this research is driving, is a bit “grand.” This felt like a mentor telling me I wasn’t dreaming too big. That the world is thinking to small (narrowly.)

I think he’s talking about Paulo Freire here who, “introduced the 'banking' concept of education whereby he equated teachers with bank clerks and saw them as 'depositing' information into students rather than drawing out knowledge from individual students or creating inquisitive beings with a thirst for knowledge”. (University of Bedfordshire)

I’ve done a lot of reading on educational theory and pedagogy and all the good stuff points here. (As a nerdy sidebar it’s also an approach that feels very Merlin, “Education is experience, and the essence of experience is self-reliance.")

Everything comes back to kindling our own curiosity. Even as society wants to stamp it out.

The last part reminds me of submitting my piece about Asynchronous Friendship to an academic journal The editor told me I was neither “fish nor fowl” (solely academic or solely creative).

Why do we have to be one thing or another? Why can’t artists draw from academic studies? Why can’t academics include creative works?

In the end there was more flexibility considering my work a creative piece, but it shows a weakness in academia from my perspective. And I think both Bucky and Black Mountain College would agree.